By now, he had joined the well-established disco boom and had further singles on 20th Century Records. Radio" was also a top ten hit in the UK, reaching number 9 on the chart in mid-1979. "Contact" was the more successful of the two, peaking at number 65 on the US pop chart, number 13 on the R&B chart, number 1 on the dance chart, and number 6 on the UK Singles Chart. In 1979, Starr reappeared on the charts with a pair of disco hits, "(Eye-to-Eye) Contact" and "H.A.P.P.Y. Starr continued to record, most notably the song "Hell Up in Harlem" for the 1974 film Hell Up in Harlem, which was the sequel to Black Caesar, an earlier hit with a soundtrack by James Brown. His backing singers during this time were Total Concept Unlimited, who later became Rose Royce. Music critic Robert Christgau called the latter album " Norman Whitfield's peak production". Involved also featured another song of similar construction titled "Stop the War Now", which was a minor hit in its own right. "War" appeared on both of Starr's War & Peace album and its follow-up, Involved, produced by Norman Whitfield.
It sold over three million copies, and was awarded a gold disc.
#Songs by edwin starr movie
Billboard charts, an anthem for the antiwar movement and a cultural milestone that continues to resound in movie soundtracks and hip hop music samples. Starr's intense vocals transformed a Temptations album track into a number one chart success, which spent three weeks in the top position on the U.S. The biggest hit of Starr's career, which cemented his reputation, was the Vietnam War protest song "War" (1970). His 1970 song "Time" also helped to establish him as a prominent artist on the northern soul scene. His early Ric-Tic hit "Stop Her on Sight (S.O.S.)", was reissued in Britain (with "Headline News" as its B-side) in 1968, and it performed better than the original release on the UK Chart, surpassing the original number 35 and peaking at number 11. Many of Starr's Ric-Tic songs (subsequently owned by Motown) like "Back Street" and "Headline News" became favored northern soul classics. It was when Motown's Berry Gordy became frustrated with smaller labels like Ric-Tic stealing some of the success of his company that he bought out the label. It peaked at number 6 in both the Hot 100 and R&B Charts in 1969. At Motown he recorded a string of singles before enjoying international success with "Twenty-Five Miles", which he co-wrote with producers Johnny Bristol and Harvey Fuqua.
While at Ric-Tic, he wrote the song, "Oh, How Happy", a number 12 Billboard Hot 100 hit in 1966 for The Shades of Blue (he would go on to release a version of the song with Blinky in 1969) and sang lead for the Holidays on their number 12 R&B hit, "I'll Love You Forever". Other early hits included "Headline News", "Back Street", and "Stop Her on Sight (S.O.S.)".
The song that launched his career was "Agent Double-O-Soul" (1965), a reference to the James Bond films, already popular at the time. Hatcher, adopted the name Edwin Starr at the suggestion of Doggett's manager Don Briggs, and made his solo recording debut in 1965 for the Detroit record company Ric-Tic. However after just one single, he was called up for military service in the United States Army for three years, where he was posted to Europe, following the end of his service he decided to make music his career, and joined the musical group of Bill Doggett. H.A.P.P.Y.In 1957, Hatcher formed a doo-wop group, the Future Tones, and began his singing career. Stop Her on Sight (S.O.S.) / I Have Faith in You The Best of Edwin Starr: The Millennium CollectionĪgent 00 Soul: The Ultimate Live Performance
0 kommentar(er)
